My artistic and pictorial approach

Beyond the pictorial play, of ideographic mixtures that I interpret by mixing styles, from modern art, to a form of pop-art or surrealism, which I like just as much, I pursue in parallel other creative lines including what may be called “quantum expressionism” RESEARCH TO QUANTISM The emergence of stories … Writing of dynamic representation and staging, characters and landscapes, suggestion of forms, emergence, induction of a frame that can open on its narrative complexity. First, from space, since it accompanies the subject, inscribes it on a stage which is only a space of time. Often suggested time space with no definite perspectives but with a latent depth marked by recurring graphic signs. The trait including the descriptive symbol of the object and the possibility of emergence. Immanent objects and the superposition of narrative time … The superposition of moments on the objects and the frame allows the emanation of a story, a space in motion. The elements and their emerging lines intermingle to form one another, signs of the entanglement of quantum objects between them and the deformation of the frame. This superposition breaks out the objects and the spaces of the scene into geometrical volumes which it mixes into an emergent and changing flux. The object can be seen in transparency, in entanglement, in The interrogation of the full and the emptiness, from near or far at the same time, partly, as a symbolic element. The surface is part of a dynamic set, from zones of ideographic abstraction to more figurative areas, points of reference and fixation of the spectator … From the creation of its history by the superposition of quantum states … A quantum where the abstract of certain elements suggests a concept, a transpiration in progress, a variation of time that vibrates like a surrealism and a call to imagination, reverie, questioning. An augmented and interactive form of reality …

Telling, inducing a story in which the spectator is active, guiding his imagination by pictograms, a primer of words, ideographic phrases. The observer co-participates in the Creation of the narration and realizes an increase of the reality of the work by its spiritual projection. An approach of the book object … This is how my research and my work has been carried out for several years, in this ambition to inscribe, through emergence and ideographic punctuation, a resonance game Or the viewer is also an actor, that he participates in the inexperience of the book object, or the story is not fixed to the instantaneous of the work, fixed on the surface and immobile to the gaze.